There was a number of chatter and pleasure surrounding the Nikon Z 28mm f/2.8 lens when it was introduced as a particular pairing (together with a particular model) with the Z fc digital camera. As one of many smallest and lightest lenses launched for the Z mirrorless system that comes paired with one of many shorter focus distances, the $297 “pocket” lens packs a number of punch in a tiny and inexpensive package deal.
The tiny full-frame wide-angle lens (interprets to about 42mm on a crop sensor) is generally made from plastic and fairly a bit lighter than Nikon’s higher-end glass. It weighs a scant 155 grams (5.5 ounces) which makes it fairly simple to hold round as an on a regular basis lens. The shut focus distance (7.5 inches) and claimed climate sealing solely add to this.
The lens is technically positioned in between the 24mm f/1.8 S and the 35mm f/1.8 S lenses however lacks the “S” designation of its siblings. Given the attention-grabbing focal size, it would shine higher on a crop sensor physique. On a full-frame system, this lens offers customers a 75-degree subject of view however on a DX system just like the Z fc or Z50 it offers a little bit nearer to the “human eye” perspective. For the aim of this evaluation, I examined it on a number of full-frame methods, nonetheless, I imagine the 28mm lens was meant to do better issues if it have been connected to a DX system just like the Z fc or Z50 (neither of which I had entry to, sadly).
Construct High quality and Design
The compact lens is kind of related in design to Nikon’s 40mm f/2 lens with very related dimensions and exterior look. The one management ring on the lens controls the main focus ring by default, however it may be custom-made to regulate the aperture or different options relying on the digital camera. Additionally, just like the 40mm f/2 lens, the 28mm additionally excluded the Auto/Guide (AF/M) focus change and acquainted lens hoods usually accompanying most Nikon lenses.
Inside, the lens is somewhat just like its 40mm sibling as a result of it too is lacking inside picture stabilization. Since the entire Nikon Z mirrorless methods have IBIS, it’s in no way a dealbreaker however having a number of further steps of stabilization for these low gentle moments would have been good.
When in comparison with the S-line of lenses, the 28mm f/2.8 body and lens mount is made largely of plastic making it really feel a little bit extra fragile. I suppose the good thing about the plastic physique means it’s a lot lighter, and naturally, retains the worth a lot decrease. And regardless of it being made from plastic, the lens does nonetheless really feel surprisingly sturdy and well-balanced.
One other draw back of it not being an S-lens is it’s lacking the extra “fancy” coatings, and whereas it’s largely unnoticeable should you search for it and do some heavy comparisons with photographs shot in harsh backlit conditions (like capturing into the solar) the variations between the excessive and low-end Nikon glass will begin to turn out to be obvious.
Picture High quality and Efficiency
Whereas I discovered the lens to be a little bit of an “in-between” focal size on my full-frame our bodies (I examined it with the Nikon Z6, Z6 II, and Z9), the photographs have been fairly clear, sharp, and the autofocus was extremely fast (and quiet) when monitoring shifting objects, reaching correct focus in below a second in just about each state of affairs I may throw at it.
The management ring on the lens, being completely customizable, is of a “clickless” design (which is useful for video shooters) and there’s no haptic suggestions out there for minimal or most focus/aperture ranges. Nevertheless, when focusing manually, there’s a little little bit of focus respiration when pulling from its most to minimal focus distances. The magnification, no less than in my testing, was barely even noticeable had I not been capturing with a tripod on static targets, and even then it’s so minimal that it shouldn’t be a difficulty for informal stills or video work.
When stepped all the way down to f/2.8 by way of f/4, there may be some very minor aberration and vignetting within the photographs that will be largely unnoticeable have been you not in search of it particularly. As soon as the aperture is about to above f/4 there are subsequent to no points in readability, sharpness, or aberration for the remainder of its vary. Like many of the lenses of this nature, I discovered the sharpest focal candy spot to be round f/5.6 to f/8 for many eventualities. With such a large subject of view, when capturing objects shut up, it is ready to create a powerful separation between the topic and the background even at larger f-stops, that means creatives don’t have to really feel caught within the f/2.8 zone for his or her photographs.
As for the bokeh, whereas the separation is easy and straightforward to handle, the precise bokeh sample gave the impression to be the blandest of the Nikon Z lenses I’ve been ready to make use of thus far. It’s not dangerous by any means, it simply didn’t stand out in any method.
It’s price noting as effectively that when capturing on the Z mirrorless system an possibility is accessible for “Vignette Management.” If that is enabled, even simply on “regular” the minimal quantity of vignetting current turns into nearly invisible, aside from when capturing vast open at f/2.8. At that aperture, the intense corners will nonetheless have seen vignetting within the uncooked information. (All of that is simply adjusted in publish and/or by making use of the lens profile to the photographs)
Under are a set of pattern photographs taken with Nikon Z 28mm f/2.8 lens:
Tiny, Mighty, And Low-cost
Whereas the Z-mount 28mm f/2.8 lens from Nikon might not ship the identical top-notch high quality because the S-line of lenses, it does ship rather a lot at a considerably lower cost than those self same S-line lenses command. It performs constantly with minimal aberration and has a top-notch and quiet autofocus motor making it moreover useful to videographers. Additionally, did I point out it’s low-cost?
An important function of this lens is its small dimension and weight, particularly in comparison with its value. Whereas the efficiency was not mind-blowing on an FX system, I get the impression when linked to a DX digital camera, any of the problems I had with aberration or vignetting across the corners can be negligible.
Both method you take a look at this lens, it’s discreet and durable sufficient to journey with photographers as a part of their “on a regular basis” equipment.
Are There Options?
Nikon already has a number of S-line options for this lens that sit on both facet of its focal vary, however they’re considerably larger priced. This consists of the $997 24mm f/1.8 S and the $847 35mm f/1.8 S. Whereas each are “shut” in focal vary and are bigger and heavier. It must also be famous that they’re far much less discreet than the 28mm f/2.8 for one thing like avenue pictures.
Wanting past Nikon, the $429 Viltrox AF 24mm f/1.8 is fairly related, sooner, and a little bit nearer to the worth of the Nikon Z 28mm f/2.8. I can’t converse to the standard of the images it produces, nonetheless.
Ought to You Purchase It?
Sure, if you’re in search of a lens to fill within the gaps between the opposite focal lengths or just desire a very inexpensive walkabout lens for journey and avenue pictures. The $297 28mm f/2.8 lens is definitely worth the low value of entry.